Endgame-
Defeat is shown in The Endgame in many different
aspects of the play. The defeat of the characters becomes more apparent as the
play goes on. The character Clov is very childlike and suffers several near defeats in
the course of the play. From the beginning
he refuses to give up and tries to hold onto the last remaining hope
he has in the play. Throughout the events that take place in the play it becomes more and more
apparent that he is almost defeated this is to me shown by his mundane and routine life and by always
being controlled by Hamm.
Hamm also changes with the defeat theme because one minute he is happy
the next he has or is near to giving up. I think Hamm likes to believe he isn’t defeated by
the situation when in fact he is probably the worst out of all of the characters. The
theme defeat is echoed by the lines in the script. It seems very rigid and at
points searching for hope. It is almost like the characters in the story are
not sure how to accept defeat so are holding on and hoping for the best as they
don’t want to believe it’s the ‘end’. I feel like defeat is determined
throughout from the very beginning because of the attitudes of the characters
and the simplicity of the play.
Les Miserables-
Les Miserables is another show that has a
running theme of defeat throughout. I think it also includes hope as well. This
play is based upon the French Revolution. All the characters in the play, no
matter how optimistic they become, they are defeated in one way or another. They
are all fighting their own battles and, because of the powerful nature of the
story, mostly losing. For example the character Fontaine has little hope
throughout and finally defeated by losing her job which leads to her not being
able to look after her child; this leads to the ultimate defeat when she eventually
starves and dies. Before she is fully defeated another character (Jean Val
jean) carries on her hope. He saves Fontaine’s dream by looking after her child.
He ends up dying because of his haunted and defeated past. This musical ends
with the death of most of the revolutionaries and the death of most main
characters. The exception is the child of Fontaine, Corsette and her lover,
Marius who vows to look after her.
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