Monday - Blog about the workshop – Jack and the Bean Stalk –
Movement to music
On Monday 6th January 2014, we thought
of a well-known story and broke it down into 8 parts, which reminded me of the Stanislavski
method, which helps actors break down the stories to find the objectives. We
went though the story and broke it down into sections we were also allowed to
add bits of the story that we wanted to put in.
Poor Boy:
Intro Jack
Intro mum
Intro dad
Describe house
Eat berries and figs
Farming
Bread & Milk
Sending Jack to the market with the cow
Walk to the market
Filled with joy of the sight of the market
Converses with the magic lady
Barters
Get beans
Gives away cow
Witch warns him
Doesn’t listen to the warning
Makes his way home
Arrives home
Finds beans
Angry dad
Hits Jack
Throws beans
Hates son
Sends to room
Bean start to grow
Wakes up
Goes outside
Discovers giant bean stalk
Tells dad the stalk has grown
Dad says stop telling fibs
Jack climbs the beanstalk
Reaches clouds
Sees big house
Goes to investigate house
Hears song (fee fie foe fum)
Sees George the giant
Hides behind
a bean
Sees the gold egg
Climbs back down the bean stalk
Tells dad about the golden egg
Dad says to go and get it
Climbs back up stalk
Plans steal
Pulls out harp
Plays harp to distract the giant
Giant is distracted
Seeks the egg
Sees the chicken
Steals the egg
Hides in house
Giant returns
Try’s to sneak out
Jack kicks giant spoon
Giant hears
Chases Jack
Drops egg down the stalk
Jack climbs down
Dad
Ax
Chop
Chop
Giant climbs down the beanstalk
Stalk falls
Giant is dead on the floor
All is well
After we had written this all down we were
given in our groups of three 15 minutes to improvise the story before telling
it to the rest of the class. We decided in our group that we would take it in
turns to tell parts of the story and well as adding in movement, tones of voice
and sound to captivate the audience. I believe that when we told to story we
added more movement and voices into it that we hadn’t thought of, this gave
depth to our story and we played along with it adding comedy which entertainted
the audience and kept them involved in the story line.
After lunch we incorporated story telling
with more movement and showing how we could show a story though our movement
with elements of dance and physical theatre. We improvised movement to
different types of music and seeing how that changed the way we moved and
responded to it. All that we learnt though-out the day we put it into a
improvised piece to music which we interpreted into war, ship battle music and
each of us was showing our own little story within the bigger story about
loosing/finding our loves ones, post traumatic stress disorder as well as
showing status.
Tuesday - Stories we looked at – Turkish Bride – The Magic Well
– Improvised
We started the day off by reading different
folk stories in our groups of three and picked out the main features of the
story and wrote them down. We were then asked to write down the 4 main points
of the story and come up with 4 freeze frames for each of the main points, we
chose ‘Don’t Judge A Book By Its Cover’, ‘Trust’, ‘Status’ and ‘Greed’ as they applied
to us more than the other points because theses were more hard hitting and
different.
In our groups we had to come up with a story
that showed all of the 4 points, we mashed up different stories together to
create dimension and depth. We combined ‘The Magic Well’, ‘The Wizard Of Oz’, ‘Rapunzel’
and ‘Snow White’ which created such a fun, enthusiastic and bubbly play with a
comedy twist which showed us that we can show a dark, hard hitting point but in
an opposite way. I really liked the way it turned out because the way we
performed it, in around the audience were more into the story and seemed to
laugh along with it but then realizing the darker said to the story which gave
it dimension and an uninspected twist
Later in the day we got told a old folk story
called “The Turkish Bride” and were asked to memorize it and to perform it on
Thursday 9th to a teacher and try and convince her that we had
rehearsed it. The point of the task was that if we couldn’t convince her that
we had rehearsed the story, us as a group couldn’t pull off any story and make
it convincing to the audience. This was our chance as a group to come together
and show what we are made of and how we could bounce off each other.
The rest of the day was to tell each other
our party tricks, hobbies and activities outside the class room that we could
bring into the show and show off each other’s talents.
Wednesday – Gamelan Workshop – Folk Stories – Personal Stories
On Wednesday 8th January we
started the day off by learning and playing different types of musical
instruments that are played in gamelan music, I played the ‘Saron’, the
‘Kempul’ and the ‘Kenong’. I personally loved playing with these instruments
and made us think as a group that we could add in music to our performance,
this would give it a personal but entertaining feel to the show.
During the afternoon we told each other old
folk stories from Rumpelstiltskin, The Bear Who Found Fire, the alternative
Cinderella, Buba Yaga Bony-Legs to the story of how Ganesha got his elephant
head. Each of told our stories in different ways using voice and movement, even
thou this was a rather simple task I found it rather hard as my inner actor
came and told the story instead of me so it sounded rehearsed and wasn’t that
interesting. If I did it again I would have chosen a slightly different folk
story and describe it using more movement to captivate the audience.
On the other hand we had to tell each other a
personal story and I found this much easier than telling a folk story as I
could play around with how I told the story and how I could make it more
interesting using different tones and scales of voice and movement with my hands,
body and facial expressions.
• Do we tell one story from different perspectives?
I really love to do this because you could show the story
in different ways, maybe using music, song, lyrics, rhythm, dance, movement,
physical theatre, Artuad, Stanislavski but also it could be set differently.
The audience could move from room to room and in each room experiencing a whole
new experience from the last room they were in (maybe the same story or
different story, could almost become a murder mystery in the way it has been
set).
Do we tell lots and lots of stories, mythical, folklore and personal? Do keep
interrupting our fictional
story/stories with personal anecdotes? Maybe every time a certain word or prop
is used it triggers a personal story that interrupts the action? Maybe
not all stories need to be finished.
I am open to the idea of just using one and adding extra
mini stories in-between the main story or just using one. I like to explore all
these ideas during rehearsals and during college time with my class mates and
working out who would like to do what and what we are best at doing. To get a
better idea later on it would be helpful to perform something to a small
audience and see what they think of it before sticking to one idea and carrying
on regardless.
Thursday – Telling story to Sarah – Beowulf
– Paper
From the task that
was set on Tuesday we had to convince our teacher that we had rehearsed the
story that we were telling (which we hadn’t), surprisingly it worked out really
well, even thou at the beginning we were all a bit stick. Jakko took to role of
telling the story and then the four of us acted it out. I believe this was
better for the audience to listen to one voice instead of all 5 of us, which
could get confusing. It was comedic the way it turned out as we didn’t rehearse
it (like what we were told to do), but because the story didn’t have an ending
it made the audience want to know the end of the story to see who the princess
chooses out of the three brothers.
We were set into
groups of four and were given paper and we had to incorporate the paper into
our story of Beowulf, we chose as a group to create the wings of the dragon
(Beowulf’s son) and parts of the body that would be cut out the sword which
would then be thrown/dropped onto the audience. When we performed it, it was
rather uneven and hadn’t really thought this thou because we couldn’t use the
dark room until we got to perform it, but nether the less we all pulled
together and it worked really well. The wings of the dragon you could feel as
it brushed passed you and you could feel the air which gave goosepimpless to
some people and then we using a flame from a lighter to create the moment where
Beowulf has his send off on a burning boat, which was really effective and I
could love to add this in to our performance.
We then got asked
to tell the story using:
· All bodies (The dragon as it fly’s)
· Hands (sex scene, using hands and voice)
· Isolated parts of the body (The dragon, arms,
legs, feet, head)
· Shadow (The ogre)
· Paper (the pub at the begging)
I loved doing this
exercise as it opened my imagination as we performed it in the dark, creating
freeze frames, using paper, concentrating on one part of the body and using
light and shadow which gave our piece more dimension and it was more
interesting to look at and well as to perform it. I think what also made this
piece work was the people who I was working with as we all had good,
imaginative ideas which we could bounce off and expand on.
I then had to change
groups and use paper in a completely different way and we did this by telling a
different story of a pancake running away from different animals and then get’s
eaten. We showed this by drawing mouths, noses, ears and tails on to the paper
to show the different animals of the fox, pig and horse. I liked exploring this
idea but I don’t think we could expand on this idea as it is rather hard to get
the story across and make it work well and pulling different parts of paper on
and off can we quite messy.
Over all this week
has truly opened my mind into what we can do and what we can achieve as a
group. I am now constantly thinking about how could we improve as a group as
well as actors, I cant wait to see where this takes us.
No comments:
Post a Comment